翻訳と辞書
Words near each other
・ "O" Is for Outlaw
・ "O"-Jung.Ban.Hap.
・ "Ode-to-Napoleon" hexachord
・ "Oh Yeah!" Live
・ "Our Contemporary" regional art exhibition (Leningrad, 1975)
・ "P" Is for Peril
・ "Pimpernel" Smith
・ "Polish death camp" controversy
・ "Pro knigi" ("About books")
・ "Prosopa" Greek Television Awards
・ "Pussy Cats" Starring the Walkmen
・ "Q" Is for Quarry
・ "R" Is for Ricochet
・ "R" The King (2016 film)
・ "Rags" Ragland
・ ! (album)
・ ! (disambiguation)
・ !!
・ !!!
・ !!! (album)
・ !!Destroy-Oh-Boy!!
・ !Action Pact!
・ !Arriba! La Pachanga
・ !Hero
・ !Hero (album)
・ !Kung language
・ !Oka Tokat
・ !PAUS3
・ !T.O.O.H.!
・ !Women Art Revolution


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Francis Robert Benson : ウィキペディア英語版
Frank Benson (actor)

Sir Francis Robert Benson (4 November 1858 – 31 December 1939), commonly known as Frank Benson or F. R. Benson, was a British actor-manager. He founded his own company in 1883 and produced all but three of Shakespeare's plays.
==Biography==
Born in Tunbridge Wells, he was educated at Winchester and New College, Oxford, and at the university was distinguished both as an athlete (winning the Inter-university three miles) and as an amateur actor. In the latter respect he was notable for producing at Oxford the first performance of a Greek play, the ''Agamemnon'', in which many Oxford men who afterwards became famous in other fields took part.
On leaving Oxford, Benson took to the professional stage, and made his first appearance at the Lyceum, under Henry Irving, in ''Romeo and Juliet'', as Paris, in 1882. In the next year he went into managership with a company of his own, taken over from Walter Bentley, and from this time he became gradually more and more prominent, both as an actor of leading parts himself and as the organizer of practically the only modern repertory company touring through the provinces.
Benson's chief successes were gained out of London for some years, but in 1890 he had a season in London at the Globe and in 1900 at the Lyceum, and in later years he was seen with his repertoire at the Coronet.
His company included from time to time many actors and actresses who, having trained under him, became prominent on their own account, and both by his organization of this regular company and by his foundation of a dramatic school of acting in 1901, Benson exercised a most important influence on the contemporary stage.
From the first he devoted himself largely to the production of Shakespeare's plays, reviving many which had not been acted for generations, and his services to the cause of Shakespeare can hardly be overestimated. Over time, Benson's companies performed all but three of Shakespeare's plays (neglecting ''All's Well That Ends Well'', ''Titus Andronicus'' and its "bloody villainy," and ''Troilus and Cressida''). From 1886 to 1916 (with a few gaps) he managed the Stratford-on-Avon Shakespearean Festival.
His romantic and intellectual powers as an actor, combined with his athletic and picturesque bearing and fine elocution, were conspicuously shown in his own impersonations, most remarkable among which were his Hamlet (in 1900 he produced this play without cuts in London), his ''Coriolanus'', his ''Richard II'', his ''Lear'' and his Petruchio.
''Richard III'' (1911) is one of his only surviving film performances. He both starred in the lead role and directed the production, made by the Co-operative Cinematograph Co.
Benson was knighted following a performance of ''Julius Caesar'' at Drury Lane Theatre in 1916.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Frank Benson (actor)」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.